Few artists summed up their own career in a single song — a single line — as well as Amy Winehouse.
"They tried to make me go to rehab," she sang on her world-conquering 2006 single, "Rehab." ''I said 'No, no no.'"
Occasionally, she said yes, but to no avail: repeated stints in hospitals and clinics couldn't stop alcohol and drugs scuttling the career of a singer whose distinctive voice, rich mix of influences and heart-on-her sleeve sensibility seemed to promise great things.
In her short lifetime, Winehouse too often made headlines because of drug and alcohol abuse, eating disorders, destructive relationships and abortive performances. But it's her small but powerful body of recorded music that will be her legacy.
The singer was found dead Saturday 23rd July, 2011 by ambulance crews called to her home in north London's Camden area, a youth-culture mecca known for its music scene, its pubs — and the availability of illegal drugs.
The London Ambulance Service said Winehouse had died before ambulance crews arrived at the house in leafy Camden Square. The cause of death was not immediately known.
It was not a complete surprise, but the news was still a huge shock for millions around the world. The size of Winehouse's appeal was reflected in the extraordinary range of people paying tribute as they heard the news, from Demi Moore — who tweeted "Truly sad news ... May her troubled soul find peace" — to chef Jamie Oliver, who wrote "such a waste, raw talent" on the social networking site.
Tony Bennett, who recorded the pop standard "Body And Soul" with Winehouse at Abbey Road Studios in London in March for an upcoming duets album, called her "an artist of immense proportions."
"She was an extraordinary musician with a rare intuition as a vocalist and I am truly devastated that her exceptional talent has come to such an early end," he said.
Rolling Stone Ronnie Wood said he was dedicating Saturday's reunion performance of his band The Faces to Winehouse. "It's a very sad loss of a very good friend I spent many great times with," he said.
Winehouse was something rare in an increasingly homogenized music business — an outsized personality and an unclassifiable talent.
She shot to fame with the album "Back to Black," whose blend of jazz, soul, rock and classic pop was a global hit. It won five Grammys and made Winehouse — with her black beehive hairdo and old-fashioned sailor tattoos — one of music's most recognizable stars.
"I didn't go out looking to be famous," Winehouse told the Associated Press when the album was released. "I'm just a musician."But in the end, the music was overshadowed by fame, and by Winehouse's demons. Tabloids lapped up the erratic stage appearances, drunken fights, stints in hospital and rehab clinics. Performances became shambling, stumbling train wrecks, watched around the world on the Internet.
Last month, Winehouse canceled her European comeback tour after she swayed and slurred her way through barely recognizable songs in her first show in the Serbian capital of Belgrade.
Booed and jeered off stage, she flew home and her management said she would take time off to recover.
Fans who had kept the faith waited in vain for a followup to "Back to Black."
Though she was often reported to be working on new material, fans got tired of waiting for the much-promised followup to "Back to Black."
Occasional bits of recording saw the light of day. Her rendition of The Zutons' "Valerie" was a highlight of producer Mark Ronson's 2007 album "Version," and she recorded the pop classic "It's My Party" for the 2010 Quincy Jones album "Q: Soul Bossa Nostra."
But other recording projects with Ronson, one of the architects of the success of "Back to Black," came to nothing.
Winehouse's health often appeared fragile. In June 2008 and again in April 2010, she was taken to hospital and treated for injuries after fainting and falling at home.
Her father said she had developed the lung disease emphysema from smoking cigarettes and crack, although her spokeswoman later said Winehouse only had "early signs of what could lead to emphysema."
She left the hospital to perform at Nelson Mandela's 90th birthday concert in Hyde Park in June 2008, and at the Glastonbury festival the next day, where she received a rousing reception but scuffled with a member of the crowd. Then it was back to a London clinic for treatment, continuing the cycle of music,
excess and recuperation that marked her career.
